There are various cartoons in which Betty has also used alternative scat interpolations rather than her usual "Boop-Oop-a-Doop" routine. When "Boop-Oop-a-Doop" is expanded into scatting, it's usually "Boopy-Doopy-Doopy-Doop-Boop-Oopy-Doo" (sometimes the "p" is silent), with a " Bop" to finish it up. When African-American scat singer Cab Calloway was alive, he agreed that animated Fleischer Studios character Betty Boop was his female counterpart. Today in history it is a known fact that Helen Kane took inspiration from various African-American performers (the main being Baby Esther Jones) who preceded Kane by using this style in 1925, making the origin of the "Boop-Oop-a-Doop" scat sound have somewhat African-American roots. Had Helen Kane not had sued the Fleischer Studios and Paramount Pictures a company she used to work for, her secret appropriation would have stayed a secret and she never would have been outed as unoriginal. Kane lay claim to " Boop-Boop-a-Doop," "Boop-Boopa-Doop," "Boop-Boop-Pa-Do," "Boopa-Doop," or simply "Boop" alone. And Chic Kennedy said in a newspaper interview that Kane had stolen her "Poop" idea in 1928. It also later came out that Edith Griffith had debuted the "Boop" and "Poop" routines a year before Kane in 1927. Also the fact that she didn't create "Boop" because she was the "Poop" girl prior to becoming the "Boop" girl. Kane tried to take credit for inventing the scat genre by using her "Boop" as source but it came out in court that she was not the original. As in the court documents it is also stated that Kane tried to lay claim to the origination of the interjection of scat sounds into songs by using her "Boop" routine as a metaphor. The defense presented a "galaxy of talented performers" to show that long before Miss Kane made her debut as a singer of "baby" songs the practice of singing in the baby singing style and "interpolating songs with meaningless sounds" was quite common, making Kane's " baby-talk" singing style and " scat singing" both unoriginal and not unique. Helen Kane made "Boop-Boop-a-Doop" famous but she was not the first "scatter" and she certainly did not "invent" the rhythm of interjecting "meaningless" sounds into songs. There's a bar in the music, and at the end there is a stop." However interpolating "hot licks" into songs had already been established by other performers long before Helen Kane had started using the " scat-singing" technique that she claimed she had invented. When asked how she had created this "Boop" technique, Helen Kane stated: "It's a form of rhythm I created. The testimony given during the trial was, for the most part in two-fourths time and very syncopated. According to a 1932 newspaper article the secret to the origin of scat singing lied in Harlem, and scouts were sent to African-American cabarets for data. Miss Kane claimed to be the originator of the unique ad-libs, and attempted to sue Fleischer Studios and Paramount, who she had previously worked for, but she actually took her style from another, meaning she was not the first person to "Boop" in show business. The Fleischer Studios stated that Betty's "Boop-Oop-a-Doop" routine had evolved from " Bo-Do-De-O-Do," " Ba-Da-In-De-Do" scat rhymes. " Boop-Oop-a-Doop" is Betty Boop's trademark catchphrase and scat sound, which was originally made popular by Helen Kane in 1928.
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